01. The Jasmine Minks - You Cut Me Deep 02. Felt - Ballad Of The Band 03. The House Of Love - Christine 04. The Weather Prophets - Well Done Sonny 05. Primal Scream - All Fall Down 06. Biff Bang Pow! - She Paints 07. The Jazz Butcher - Lot 49 08. Heidi Berry - North Shore Train 09. Nikki Sudden - Death Is Hanging Over Me 10. My Bloody Valentine - Cigarette In My Bed 11. Pacific - Jetstream 12. The Times - Godevil 13. Momus - A Complete History Of Sexual Jealousy (Parts 17-24) 14. Emily - Reflect On Rye 15. Razorcuts - Brighter Now
Not a mod record as such, but in 1989 when I got this, I had been beginning to cast my net a bit wider for new sounds. Needs must and all that. I had passed it over a few times before, but I had noticed it had a Times track and some of the band names sounded vibey. Then I read somewhere that Alan McGee had named the label after my favourite 60s band The Creation, not to mention calling his band Biff Bang Pow! after one of their tracks, and I was sold. I suppose Creation Records offered me (and probably many others) a way out of being soley into mod music while keeping my mod credentials. It was the perfect missing link between mod music and the sounds I was later into. It also played no small part in mod music in general regaining its iconic status during the nineties, when bands like Ride, Oasis and others were declaring their 60s influences. Like most compilations, it's patchy fare at times, but it does feature some soon to be big names like Primal Scream, House Of Love and My Bloody Valentine, who are still one of my favourite bands, though Cigarette In My Bed went right over my head at the time. Other worthy mentions go to the Jasmine Minks opener and the beautiful Brighter Now by The Razorcuts which closes the album.
01. Long Hot Summer 02. Headstart For Happiness 03. Speak Like A Child 04. Long Hot Summer (Club Mix) 05. The Paris Match 06. Mick's Up 07. Money-Go-Round
The most divisive 45 of 80s mod music? It was a couple of years before I would get into mod sounds, but I can only imagine the reaction when this bounded out of peoples speakers, like a spoiled child in new trainers, in the spring of 1983. For some, it was a betrayal. For others it showed a bright, new future. It pretty much set the agenda for the endless "that's not mod" arguments throughout the decade, not least because the group were actually successful. Like The Jam, The Style Council had appeal beyond the confines of mod listeners and as a mod, you couldn't be listening to the same sounds as the commoners, could you? In fairness to Weller, it was no mean feat to have survived the '79 backlash and still be the biggest band in the UK when the Jam split in '82. Or to be in a commercially successful mod band (though they mightn't have admitted it at the time) in the decade that mod forgot. It could be argued that The Style Council were more mod than The Jam, drawing on jazz and soul as opposed to punk. It was really the first time that someone offered a new take on the original mod template while trying to reconcile itself with its bright, new 80s surroundings, rather than retreating into 60s revisionism or filtering it through punk's angry fire (as The Jam had already done). The problem for many (and for much 80s mod music) was that these new surroundings, all synths and bright, shiny surfaces, didn't sit well with the classic, gritty rumble of the mod sounds of old. In its wake were left the factions of '79 revivalists, the purist "elitist" mods and the "modern" mods at each others throats for the rest of the decade. Did I like it? Of course. But I mightn't have told you.
01. The Key - Nothing Gets Better 02. The Sons Of Jet - Marilyn Monroe 03. The Second Generation - Throw It All Away 04. The Switch - Please Don't Walk Away
Three cuts of miserable, introspective guitar pop which would probably have felt more at home on a C86 compilation, rather than a mod record. Only The Sons Of Jet's quirky Marilyn Monroe saves the day. Nothing Gets Better was probably how most mods were feeling at the time. Soul searching without the soul.
Featuring the title track of their Playground album, this was probably The Truth's best single. Less poppy than what had come before, it harked back to a sound more in keeping with The Who or The Jam, and was one of the better mod singles of the day.
More soulful pop from The Truth, who were headed up by former Nine Below Zero frontman Dennis Greaves. This was the 12" release of the band's fourth single which also appeared in a white text on red sleeve.
Confessions of an 80s mod. All entries are vinyl rips (unless stated otherwise) which were recorded in 24 bit audio then encoded to 192kbps mp3.
Many of these artists are still working musicians so follow the links and pay them a visit.
If you want a link removed, just leave a comment and it is done.