01. The Jasmine Minks - You Cut Me Deep 02. Felt - Ballad Of The Band 03. The House Of Love - Christine 04. The Weather Prophets - Well Done Sonny 05. Primal Scream - All Fall Down 06. Biff Bang Pow! - She Paints 07. The Jazz Butcher - Lot 49 08. Heidi Berry - North Shore Train 09. Nikki Sudden - Death Is Hanging Over Me 10. My Bloody Valentine - Cigarette In My Bed 11. Pacific - Jetstream 12. The Times - Godevil 13. Momus - A Complete History Of Sexual Jealousy (Parts 17-24) 14. Emily - Reflect On Rye 15. Razorcuts - Brighter Now
Not a mod record as such, but in 1989 when I got this, I had been beginning to cast my net a bit wider for new sounds. Needs must and all that. I had passed it over a few times before, but I had noticed it had a Times track and some of the band names sounded vibey. Then I read somewhere that Alan McGee had named the label after my favourite 60s band The Creation, not to mention calling his band Biff Bang Pow! after one of their tracks, and I was sold. I suppose Creation Records offered me (and probably many others) a way out of being soley into mod music while keeping my mod credentials. It was the perfect missing link between mod music and the sounds I was later into. It also played no small part in mod music in general regaining its iconic status during the nineties, when bands like Ride, Oasis and others were declaring their 60s influences. Like most compilations, it's patchy fare at times, but it does feature some soon to be big names like Primal Scream, House Of Love and My Bloody Valentine, who are still one of my favourite bands, though Cigarette In My Bed went right over my head at the time. Other worthy mentions go to the Jasmine Minks opener and the beautiful Brighter Now by The Razorcuts which closes the album.
01. Long Hot Summer 02. Headstart For Happiness 03. Speak Like A Child 04. Long Hot Summer (Club Mix) 05. The Paris Match 06. Mick's Up 07. Money-Go-Round
The most divisive 45 of 80s mod music? It was a couple of years before I would get into mod sounds, but I can only imagine the reaction when this bounded out of peoples speakers, like a spoiled child in new trainers, in the spring of 1983. For some, it was a betrayal. For others it showed a bright, new future. It pretty much set the agenda for the endless "that's not mod" arguments throughout the decade, not least because the group were actually successful. Like The Jam, The Style Council had appeal beyond the confines of mod listeners and as a mod, you couldn't be listening to the same sounds as the commoners, could you? In fairness to Weller, it was no mean feat to have survived the '79 backlash and still be the biggest band in the UK when the Jam split in '82. Or to be in a commercially successful mod band (though they mightn't have admitted it at the time) in the decade that mod forgot. It could be argued that The Style Council were more mod than The Jam, drawing on jazz and soul as opposed to punk. It was really the first time that someone offered a new take on the original mod template while trying to reconcile itself with its bright, new 80s surroundings, rather than retreating into 60s revisionism or filtering it through punk's angry fire (as The Jam had already done). The problem for many (and for much 80s mod music) was that these new surroundings, all synths and bright, shiny surfaces, didn't sit well with the classic, gritty rumble of the mod sounds of old. In its wake were left the factions of '79 revivalists, the purist "elitist" mods and the "modern" mods at each others throats for the rest of the decade. Did I like it? Of course. But I mightn't have told you.
01. The Key - Nothing Gets Better 02. The Sons Of Jet - Marilyn Monroe 03. The Second Generation - Throw It All Away 04. The Switch - Please Don't Walk Away
Three cuts of miserable, introspective guitar pop which would probably have felt more at home on a C86 compilation, rather than a mod record. Only The Sons Of Jet's quirky Marilyn Monroe saves the day. Nothing Gets Better was probably how most mods were feeling at the time. Soul searching without the soul.
Featuring the title track of their Playground album, this was probably The Truth's best single. Less poppy than what had come before, it harked back to a sound more in keeping with The Who or The Jam, and was one of the better mod singles of the day.
More soulful pop from The Truth, who were headed up by former Nine Below Zero frontman Dennis Greaves. This was the 12" release of the band's fourth single which also appeared in a white text on red sleeve.
01. Kiss And Make Up 02. Not Ready For Love 03. Roll On The Weekend
1984 A New Individual Record Company | AIRLT101 Try
Not something that got many plays round my way at the time, mostly due to the very 80s production, which was all snappy bass and parping brass, backed with a big 80s reverbed snare. I remember picking this up second hand somewhere due to the fact that I had seen their name on a couple of compilations at the time. Namely the infamous Dedicated: The Mod Live-Aid Alldayer album and Countdown's 54321 Go compilation, which featured Not Ready For Love. It also thanks Eddie Piller in the credits on the back. Singer Bryn Gregory was last reported to be back in Cardiff playing the blues.
01. The Story Of The World 02. Does It Look Like Rain? 03. What A Way To Go! 04. You Won't Believe Your Eyes 05. Dreaming Of Jeanie 06. Judy's Toy Box 07. R.S.V.P. 08. Can You Hear My Heartbeat? 09. The Late Great Frank Lewis 10. Watch Yourself
01. Kick In The Teeth 02. Standard Life 03. Throw It All Away 04. Fate 05. Day Of The Triffids 06. You're All Mine 07. Spy-Catcher 08. Changing Faces 09. Thinking Of You 10. Pictures On My Wall 11. The Way You Were 12. Look Who's Coming
A Scottish band from Fife formed by vocalist Rod Spark, which would record this LP and the Throw It All Away EP for Unicorn in the late 80s. The album suffered from pretty ropey production values, no doubt due more to financial costs than the efforts of producer Jamie Watson. Recorded between two studios (Chamber & Energy) the album highlighted the bands 60s garage influences, with the inclusion of some hammond organ earning them comparisons to The Prisoners. They released another EP on Amazadisc a year or so later and split soon after. Rod now runs the Groove Tunnel studio space in Edinburgh while drummer Steve Mason would go on to greater success as main man of The Beta Band and King Biscuit Time.
01. And With This Ring 02. In This Town 03. Flag To Fight Behind 04. Karl's New Haircut 05. Games We Played 06. One, Two They Fly 07. The Tailor Made 08. Just Once 09. In Front Of Men 10. The Race 11. The Work Gets Done
Most 80s mods will have fond memories of The Moment who were one of the better bands out there. The sound was as much '79 than 80s with the usual Jam and 60s influences, backed by Adrian Holders songwriting skills. The added brass section gave the album, which was produced by The Times' Ed Ball and Paul Bevoir from The Jetset, some extra beef underneath the spiky guitars. This was their only album while Tangerine Records have since released a best of called Mod Gods! The Best of the Moment. In 2008, Adrian Holder released his debut solo album Whistleblower.
01. Seven Days 02. Black Sails (In The Moonlight) 03. Exactly Like You 04. A Girl Called Mine 05. Sad Girl 06. I Want You 07. Cadalina 08. No-one Else 09. I Need No-one 10. You Did Her Wrong 11. Can You Tell Me 12. Red Monkey 13. Take You Home 14. Wo' Now
01. Man Insane 02. Jobs For The Boys 03. It's So Strange 04. Always 05. Ambition 06. Twilight Zone 07. Last Train 08. Picture Of You 09. Oppression 10. Whisky And wine
01. Purple Hearts - Let's Get A Burger Man 02. The Risk - I Know A Girl 03. Beat Direction - Ska Au Go Go 04. 5:30 - Catcher In The Rye 05. XL - Here Today, Gone Tomorrow 06. Manual Scan - Jungle Beat 07. The Blades - A Chance To Stop (Demo) 08. The Dansette - This Is Your Life 09. The Risk - Nice People 10. Solid State - Train To London Town 11. Squire - Debbie Jones (Demo) 12. Ministers Of The Groove - Getting Out Of Your Life 13. The Blades - Last Man In Europe (Demo) 14. The Dansette - I Will Be Strong
I got this a few years after it was released at a time when my interest in the mod scene was waning, so my memories of it are quite mixed. At the time, it was considered one of the better compilation of 80s mod bands, though there was quite a range in quality and production. Of interest were the two Blades tracks which were alternate versions of those which appeared on their Last Man In Europe album. It also featured the first 5:30 (aka Five Thirty) single, who would go on to earn some praise in the UK music weeklies in the early 90s. The Squire track Debbie Jones was also an alternative version to that which appeared on the September Gurls EP, utilising what sounds like an early drum machine and some odd dual mono panning in the mix. I think this version may have popped up on their fanclub album Something Old, Something New, Something Borrowed. One of the better things about the album was the artwork, credited to P. Hallam and Terry Rawlings, author of the book MOD: A Very British Phenomenon.
The A-side was taken from the group's Playground album, which I was very fond of, though again, they were one of those bands which divided opinions at the time. Basically if you were in the "it's ok to like The Style Council" group, you probably liked these. The sound is very similar to Weller's old outfit and the swinging lead track is quite reminiscent of Speak Like A Child, while the flip's soulful stomp echoes Solid Bond In Your Heart. Due to licensing complications, The Truth have yet to appear on a long overdue 'best of' re-issue, but Playground can be picked up here. The artwork on the single is credited to Terry Rawlings and Eddie Piller.
This was the third Truth single and was typical of their catchy, 60s pop sound. The flip reminded me of The Monkees hit A Little Bit Me, A Little Bit You.
01. (Blow Your Mind) The Other Side Of Joe 02. You Should Know By Now 03. The Make Believe World Of Melanie Bennett 04. Once In A Lifetime 05. The Flavour Of The Year (Banana) 06. Little Miss Rainbow 07. Bad! 08. The Wheels Of Love 09. That Girl About Town 10. Six O'Clock People 11. Only Joking
Squire always stood apart from their more punky '79 contemporaries due to their distictly 60s revisionist sound and the uncanny song writing skills of Anthony Meynell which was rooted in classic English pop. They were one of the few bands to keep going after the press had left the mod revival behind, always operating in a time zone all of their own. Despite occasionally verging on the twee end of guitar pop, I was always quite fond of them. This beauty from 1984 featured a sterling version of Big Star's September Gurls, the rasping psych-pop of Debbie Jones with Meynell wondering when his ship will finally come in on the last track. And well he might have wondered. Squire were just one of those bands that were probably huge in some other dimension, but never this one. Despite pre-dating the jangly, guitar pop of Primal Scream, Teenage Fanclub and the Stone Roses early work by some years, they would never really get their due. Of course that just means their cult status among retro heads is deservedly assured. Like Ed Ball, Anthony is still knocking them out to this day.
Nowadays it seems mods can listen to quite a wide range of non-mods acts without too much remonstration but back in the day, one had to tread a little more carefully. This wasn't easy, as there was a lot of ropey music around mod circles. Few bands at the time tread the fine line between 80s pop and mod music more precariously than Ed Ball's The Times. Maybe it was a London thing, but where I came from, admitting to liking this could have got you a kicking. I remember picking this up second-hand about a year after its release which probably wasn't a good sign to begin with, and I never really liked it much. The tunes were decent enough but the polite 80s pop production left me cold and why anyone would want to listen to their version of Stop In The Name Of Love instead of the original Supremes classic is beyond me. The band had a bunch of releases on their own Artpop! label from '83 to '86 before Ed went on to become a player at Creation Records, where he released further material under The Times name, and is still plowing his own furrow today.
01. James Taylor Quartet - Blow Up 02. The Needles - I Want You 03. Living Stones - You Better Stop Now 04. The Otherside - Mrs. Jones 05. The Babelfish - Talk About Alice (Set Me Free) 06. The Girls - More Than Enough 07. Chocolate Factory - Baby What You Want Me To Do 08. The Offbeats - For The Millionth Time 09. The Candlesticks - Be My Baby 10. The Passengers - Take It away 11. Die Sache - Who's In My Garage? 12. Makin' Time - Crawling Up A Hill (Live)
Great compilation which I remember buying on account of J.T.Q., Makin' Time and The Offbeats track, which had appeared on an In The Crowd modzine flexi-disc (along with The Pictures) which I had lost. The emphasis here is very much on a sixties garage sound, with some acts pulling it off better than others. Highlights for me were The Girls, The Living Stones and The Passengers tracks while Die Sache, The Babelfish and The Needles cover of Bob Dylan's I Want You were filler at best. As I recall, the inner was a nice, shiny, silver and black, op-art style plastic sleeve, which I probably sacrificed for the wall. Sadly, I've no pic for this and couldn't find one anywhere, or much info on Fab Records either.
I'm not sure how many of these 4 track EPs were released by Mark Johnson's Unicorn Records which I guess were a way to introduce people to their acts. I've got two others which I'll post at some stage. I posted this as it's the only one I could find an image for. Phase III is a reference to third stage of mod culture, the 60s and the '79 revival being phases I and II respectively.
01. Long Tall Shorty - That's What I Want 02. Small Hours - Underground 03. Purple Hearts - I'll Make You Mine 04. Les Elite - Frustration 05. Long Tall Shorty - I Do 06. Merton Parkas - Dangerous Man 07. Les Elite - Get A Job 08. Directions - Weekend Dancers
09. Purple Hearts - Concrete Mixer 10. Les Elite - Career Girl 11. Long Tall Shorty - All By Myself 12. Directions - It May Be Too Late 13. Merton Parkas - You Say You Will 14. Small Hours - The Kid 15. Purple Hearts - Hazy Darkness...
"What you are now holding is the net result of five weeks hard slog in a dingy Soho basement. A compilation of some 15 demos and unreleased singles, which if it wasn't for a handful of dedicated, young believers, would have remained buried amongst piles of nameless studio out-takes for time immemorial. Names like The Merton Parkas, Purple Hearts and Long tall Shorty will instantly bring back memories of that hot and sweaty summer of '79, when mod had not yet received its death sentence from the music press and you could still catch any of a dozen young mod bands live in a given week." (from sleevenotes)
Confessions of an 80s mod. All entries are vinyl rips (unless stated otherwise) which were recorded in 24 bit audio then encoded to 192kbps mp3.
Many of these artists are still working musicians so follow the links and pay them a visit.
If you want a link removed, just leave a comment and it is done.